The last section of Supernova in the novel Tattoo felt like a very powerful statement on well-oiled saying of the Japanese man being a samurai. Throughout the entire book the main character Ken is being formed, or as he puts it, crafted in into a bomb, or the samurai as far as his Japanese ancestry goes. The idea of samurai – a man who knows no fear and is both the protector of his household and master of his wife – is the social norm and cultural standard Ken is raised under by his father, and is the prevailing theme of the novel. He is expected to not only be fearless, but also to ‘take shit from no one’, especially not from his woman (Claudia) in the later portions of the novel. It is emphasized in the later sections of the novel that marriage is a noose and it suffocates a man, making him weak, which is what Koa is trying to tell Ken through his own experience with Kahala. Ken is told by multiple people back from the country side that the old norms remain and he is supposed to be in charge, not the woman, and also that his infatuation with Claudia will not last and he should back out while he still can and not get ‘fucked’ by her.
Perhaps the most uplifting part of the novel is even though Ken’s life is a downward spiral he himself admitted he might never have any hope of escaping what he had become. His son is to be raised without him and without Musashi (what he had become) his son will escape the cycle and it will become the end of the line of Hideyoshi samurai.
The theme of assimilation is caught in the conflict between Claudia and Ken’s father – the forced coming and clashing together and the ideals that they held. Claudia is the new way, while Ken’s father is the old way or as Ken’s father saw it, he is the right way – traditional – and Claudia is the wrong way – the haole way. Despite these differences Ken acknowledges the fact that even though they are two different people with two different backgrounds, he and Cal share a similar story not because of race, culture, or skin color but because they are both human and it is the choices they make that create the outcome.
Growing up in Hawai’i, we use the term samurai to describe men who live by these ideals – the old way of doing things – and this book is a very accurate portrayal of this concept. It is not a book I would have likely read on my own, but I’m glad I got the opportunity. It proves great insight into things we don’t even think of on a day to day basis. But what’s even more interesting is that this theme of ‘men being tough’ is not exclusive to Hawai’i or traditional social norms of Japanese culture. This expected behavior in fact can be found even in today’s modern society in America as discussed earlier this month regarding that men are expected in today’s world to be unemotional towards sex and to carry a cool and collected face. The book carried a theme that although many of Ken’s experiences may have seemed exclusive to Hawai’i, they were in fact not so and that really it can be related to anyone, anywhere in the world today. Though we all might never relate to the situations that Ken was presented with, there is something to be learned in regards to what to take out of the experiences we are presented with in our daily lives.




